When You’re Done Reading This, I’ll Show You the Real Poem – by Traci McMickle Well, she was just seventeen/You know what I mean 2022 – by Lois Bassen Stepping Outside My House on Elizabeth Place – by Abby Wheeler Sonnet on a mote of hope – b y William Joel Return to Florida – by Amanda Valerie Judd The Migratory Bounty of Spring – by Jeannie Roberts Jack kerouac goes to the beach – by Louise Kim Is This One of the Ways to Trap a Butterfly? – by Hedy Habra In the Absence Of Coffee – by George Franklin The First Sign From My Dead Son – by Melanie DunbarĪ Humble Bewilderment of Love – by Nelly Shulman The embarrassment of Sierra Escumbre – by Lawrence Hoppertonįebruary Vacation, Ft. Make it a great day.ĭriving in Early Winter – by Renee Szostek What a response!Īs always, we thank our contributors and readers. They lift off from current events, brutal and dramatic as they are, to the timeless and universal. This editor is really impressed by the breadth and scope of the pieces included in the Special Section. To recognize the tragedy and horror in Ukraine, we’ve included a special section on war and peace, oppressor and oppressed, invasion and resistance. Read some Camus to learn about resistance and redemption. He replied, “Then what are we fighting for?’” Indeed. To that, we say, “Hurrah.” Sustain us all.ĭuring WWII, Churchill was asked to cut funding for the arts. There’s some tough love contained herein. Sometimes that is required, all we can muster, all with which we must reply. We’re hopeful and faithful, though, due to the energy, commitment, and devotion contained here in these pages. Who could imagine the events that presented themselves these last few months, particularly here in the US? Is this a rare compression or the new pace of life? We’ve managed to keep up, but this editor is pondering the depths and capacity of hope and faith. What I Saw When Looking for my Bones at Lekki – by Ololade Akinlabi The Migratory Bounty of Spring – by Jeannie E. To view previous Editors’ Choices, please visit: He holds an MFA from Texas State University, an MA from Salisbury University, and has earned as an adjunct, cage-fighter, pizzaiolo, and warehouseman. Ken Farrell’s work appears in numerous anthologies and in journals such as Pilgrimage, Sport Literate, Watershed Review, Coffin Bell, and Iris Literary Journal. And yet, a symbol of global shortcomings and tragedy. Editors’ Choice, June 17-23, “Hopscotch,” by Ken Farrell Any submissions received after 11:59 pm of the closing date for the Call will be automatically rolled into the next submission period for consideration. We adhere strictly to our deadline (US Central time zone). Hard copy will not be accepted and will be destroyed. We prefer single-spaced formats, except when double spacing is a deliberate part of the layout. Please use a popular font such as Calibri, Arial, or Times New Roman, 12 point. Instead, submit a separate cover page with your contact information, the name(s) of the piece(s), and a biography of 60 words or less. Do not include your name or any other identifying information. docx with each piece beginning on a new page. We generally do not notify submitters until after the submission period has closed and all pieces have been reviewed. Simultaneous submissions are ok, but please let us know promptly if your work has been accepted elsewhere. Please do not submit previously published work.
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